excellent elektrokid remix will take all the floors by storm a must have

i dont have much to say about the dahlbacks. jesper is one of my best friends, even though he is a serious pain in the ass. john made 6 records in the time it took you to read this sentence....and he just turned 11. every once in a while they take about 40minutes out of their hectic schedule (john stops making records...to make a record, while jesper take s a break from the grueling demands of being a condo association manager) to make a record for turbo. in all honesty i think they give me the tracks they forgot about..... cuz you know if they really loved them they would keep them for their own lame labels. so, instead i leave you with the music. 3 tracks that prove again that somehow, against all odds, when you put cousins in a studio they bring out the best in each other. jespers maverick genius and time-honed wisdom tempers johns youthful passion and naive exuberance.. while johns youngbrain redefines the game and reenergizes the old master. the two cousins locked in a dance that continually blurs the lines between student and teacher, a sonic sibling rivalry a musical match with one clear winner ....you!!

switch-style hip-house anthem!, edgy, super catchy vocals from lamont morehaus, including the text line: if u aint dancin theres the door, lets take it back to the dancefloor!· brand new 12 inch on slip n slide, with amazing dj reactions and early radio plays from bob sinclar & seamus haji on nrj & bbc radio

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

franz ferdinand live 2003

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

infectious disco bomb with scissor sisters like vocals this will take the floors by storm

the cooperation between lindstrom and solale (aka isabel/christabelle) started in 2003 with the release of >music (in my mind)< as the second 12inch on feedelity. now finally they ve decided to do some more music together. this first single from the album that they re currently working on is a slow disco-number based on a 5 minute vocaljam (first-take is always best take…) together with a fat bass-arpeggio and some simple guitars/keys here and there. the lyrics doesnt necessarily pretend to be anything more than a >practise<, but is nevertheless quite good we think ! on the flip-side there s an amazing dub-workout that s given us from a friend that doesnt wanna reveal his identity

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

without a doubt, mechanical is one of ambs funkiest works to date. with its deep acid bassline and its catchy guitar riffs, mechanical typifies the money shot sound. add some of ambs signature mind blowing edits and complex structure, you have one hell of a tune on your hands. groove diggerz take the track in a slightly different direction going for more of an epic electro/tech breaks tune. as is to be expected from one of the hardest working duos in breakbeat, the tune rocks.

greenhouse keeps on it s steady course with the >northern style ep< fresh from the mind of glasgow s craig hamilton. craig delivers a solid four tracker that covers all the dimensions all at once funky, jazzy, deep and tracky. kickin it off with the bass ride of >don t stop< expect to hear this from the likes of dj heather and jason hodges. >outta my face< is just a straight dirty slice while >average day< takes the role of peak time mover. wrapping it up is >gonna take< a cool ride with the rhodes and jazz for fans of bryan jones et al… greenhouse is growin

originally hailing from halifax, nova scotia, canada, jon dacey a.k.a. dubious began playing in scuzzy lo-fi noise punk bands at age seventeen. an obsession with 4-track cassette recording spawning his initial productions. now residing in toronto, ontario, canada, dubious interests in crazed dance music fuel his dj sets and productions alike. playing everything from drums, guitar, bass and keys, his take on left field disco house production is distinctly his own. dubiouss musical appetites bounce from wild cosmic rock to blazing acid house, he has few boundaries, yet he remains focused on the funk first and foremost.in addition to his debut on bear funk gold he has also produced for deep freeze, truffle, loop: recordings and on prize (the label he founded). theres nothing dubious about this fellas music

second ep on this new german label comes from france man sebasian prado and he delivers detroit influenced techno with early support by rob boskamp, dj vitamin d, nova radio, carl cox,monika kruse, chris liebing, claude young !!

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

da ist es endlich das gabriel ananda album von dem schon alle reden. dementsprechend sind die erwartungen sehr hoch geschraubt, das gute ist, herr ananda erfüllt diese auch ganz lässig !!

nice booty.. here you will find the typical eighties cure sound combined with a mellow 4x4 beat which will take you right back to that time..

>miscalate< starts off as a smooth, deep house record but quickly chooses a darker path and a big rumbling bassline takes over with sharp electronics following closely behind. as with all the production work of audiofly and paul harris, its the interesting structure and musical side of the track that really makes it stands out. partial arts, a new project from ewan pearson and al usher, take control and not just remix but remake the track! theyve delivered something rather special. a very unique, different and exciting production that will surely be turning heads and pricking the ears of many

arturo has been championing the classiest nu disco sounds at his club miocuore in pescara, italy with guests like the idjut boys, stevie kotey, greg wilson, maurice fulton, joakim and alden tyrell and building the most loyal of followings.stevie kotey picked up his album on a recent gig there and the first single svolvaer is destined to take arturo around the world in a bear disco dub spaceship. svolvaer is aptly named after arturos favourite place in norway, a country that has been, in artists originally introduced by bear funk like lindstrom and prins thomas, a musical inspiration to him. arturo adds his own italian flavours though and even bear funk gold artist fabrizio mammarella was enlisted on the guitar lead flipside track rego dancer. its a family affair as they say, but you dont wanna mess with anyone from the capone family

a side feat a soulful deep grooving piece of house music for these cool summer beach and terrace moments flip over for the afro beats and take it deep

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

jetzt ist s zappenduster. 100% schwarz & das ende dieser feinen serie. beim letzten teil überzeugt glimpse mit einer modernen neufassung des basic channel thema s & zwei originellen beiträgen auf der b-seite. support by hawtin, villalobos, steve bug, troy pierce, agoria, magda, marco carola, luciano, laurent garnier and many more..

finest detroit influenced minimal techno tracks produced by bjoern stolpmann from onitor/kailash/tongut! incl. ivo >he s a dancing machine< deutschmann remix! >since i began to be< is a huge techno stomper with deep freakin sounds. after a little break bjoern show s us his interpretation of acoustic weapons for the dancefloor! ivo deutschmann (one of the tracks from his first ep on karateklub was signed by minus for magda s mix compilation) did a great remix-job of the main song. on the flipside you will find two excellent and beautyfull rocking tracks but more minimal. karateklub welcomes bjoern stolpmann!...played by delon & dalcan (boxer), electric indigo, karotte, markus lange (craft , pocketgame), prins thomas

das glows debut ep with support by para one. >cathedrale< is unashamedly epic, it comes from the heart and speaks to the brain and feet simultaneously. flip for weiss gaz, which is mostly electro, with shades of ghettotech, acid house accents, laser-guided snaps, and a huge bassline revving like a v8, and bits of musique concrète.then on b2, >vulcanice< is fresh, recorded in one take and built around hammond organ samples

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

incredible disco reggae version of madonnas >music<. very much like risco connections take on >aint no stoppin us now<. perfect vocal harmonies on the a-side version and a heavy, heavy dub on the flip

played by sébastien léger, tiga, hell. roman flügel, ata, ivan smagghe!! on this new stephan bodzin two tracker called >daytona beach<, playful sequences take turns with rave-ish bassmonsters and moddy synth action !!

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

sucker djs, ben macklin & stretch sylvester debut on toolroom with the epic firework. a huge slice of bassline driven bliss topped off with the explosive vocals of tiger lily. mk & mtv team up again with a deep and twisted take on the original oozing with the duos trademark talent for that big room sound.the package is rounded off with a monstrous dub essential

from dallas eric estornel has arrived, who is not other that maetrik or mariel-ito. take hold yourself that they come curved the constant mutations and growth in its sound since it dazzled us to all with >casi profundo< album or with singles as >agravatte me< has taken to him to a maximum point of maturity in its arrival in regular. sexus is track amazing, technoide, intense, without fissures, forceful and direct. acces ebm takes a darker way if it fits, with a big bass which walks and it makes you walk to his side, you are not scared, does not bite! nexus could perfectly be single of the disc.

frenchs s mighty morning label team up 3 key producers on >strike me down< more proof if needed that they are one of the worlds key underground house labels set on making the industry sit up & take note. remix of strike me down courtesy of sweden s henrik b adds a whole new edge to the track working in some driving riffs & a punchy charged elements to perfectly compliment the driving, deeper original mix. this french release incl a dj rew rmx (unreleased) >strike me down< has been a firm favourite track this summers session among djs like sebastian ingrosso, steve angello david guetta steve lawler eric prydz erick morillo, mark knight…

a perfect example of ameszs fascinating take on house music. sidestepping the electrohouse clichÉs, the groove is low slung and funky and the bassline drives the track forward nicely. support from funk d void, john digweed and d.ramirez.fellow dutchmen, infinitize, step up admirably for remix duties, turning my favorite barbie into a slightly darker, more atmospheric track more suited to late night action than its counterpart.already getting plays on pete tongs friday night show

pumpin percussive techno mit tribal einschlag

volume 8 again comes with two mind-blowing, stripped down techno productions. these babies will take your for a long and pleasant ride. along the way you are fed with vibration bass, velvet bassdrum and carefully selected high

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

what a bassline!!! amazing support by dj hell, karotte, david guetta, etienne de crécy, arnaud rebotini, andrea doria, satoshi tomiie swen weber aka stormq is producing records since 2001 and also releases on f.t.w. recordings. scratch massive from paris (mbf records) add an amazing funky remix, while german dj and producer oliver moldan take it to the minimal side of things

jürgen paape und tom pooks mit zwei ganz dicken rockern !!

the first cut from their landmark album entitled >i.b.b.<, presented by this japanese-born world class human beat box trio, maurice fulton decided to take this exclusive remix role only for the fans of 12 wax, since that time he got along with the trio at the biggest music festival in australia, big day out

beautiful soothing stuff from jus ed’s fantastic imprint. the original cut is a inspired floating mix of rhodes, strings and a bouncy percussive beat. additionaly theres a more driving mix by jus ed, a oldschool house take by bu mako and a more laid back broken offering from black jazz consortium. quality stuff all around

poker flat labelhead steve bug returns with a new 12inch, >wet n dry<. >wet< on the a-side kicks off with a punchy kick n shakers and a dark chord which sneaks up from behind and slowly makes your feet move, before the irresistably groovy bassline comes in and paves the way for a slow rising climax. very nice fresh n funky synths take the lead after the break. >dry< on the flip spreads a darker atmosphere with straight up textured cuts and acid reduced elements. synth stabs, a dry bassline and a manic melody sequence characterise the track and start to erupt after the middlepart and tighten the tension

classic live take 4 coole auf den punkt genaue tracks die kraeftig in den allerwertesten treten schoenes ding

freska already released his first ep on oliver koletzki s fabulous label >stil vor talent<. his sound goes deep under your skin and draws perfect pictures in your mind. take a deep breath, it will surround you intimately. the remixes are picture perfect too. freska is one of the newest artist’s on karateklub, but there s another. before he will appear with his on ep here, he just remixed >reflections< and showed his magnificent way of interpreting electronic music. on the other hand, we have our rising homeacts - super flu, with a just as excellently remix. elicious!

debut release from goteburgs newest production monkey mathias linzatti. the >una espera larga ep< take roots in the world of minimal tech with a cruch & shuffle approach sure to please most current flavas..

take a dose of riton and heidis dancefloor medicine and you will be smiling all weekend.. incl jesse rose remixes !!

the original battle 12 was released almost exactly a year ago, but its taken 12 months for them to release henry smithsons astonishing take on the other half of that release. thankfully it was worth the wait. monster wasnt your typical lindstrom production in the first place, but now riton has thoroughly rewired it as a dynamic electronic house circuit, referencing the norwegian disco style with slight choral parts, tight string stings and keyboard arpeggios. the whole effect is very much greater than the sum of these parts, executed as it is with a rigorous attitude